The arts community is responding to climate change, and changing the conversation in the process.
by Natalie Jeremijenko •
Seed magazine
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The point is that the artists' view is invaluable precisely because they are not experts and do not have the authority granted by science. They are only as persuasive as their images. As nonexperts—though interested and knowledgeable—they stand in for the view of the everyman. This reflects the nature of urban and natural systems. They transcend boundaries; they transcend borders, disciplines, issues, and expertise. With art, the viewer knows that she has a license to interpret, to critically evaluate the work, that her opinion matters. The same can't be said of science. Scientific arguments are presented in the public imagination as fait accompli. When definitive terms like "discovered" and "understood" are the norm, science is often a one-way conversation. The creativity on display in these exhibitions plays into the public imagination differently than the computational model, the quantitative risk analysis, or other summative representations used by environmental agencies to inform public decision-making. The art invites interpretation without oversimplification or unnecessary precision. And by combining legibility with a diverse viewership the works of art provide the opportunity for evidence-driven discussion. They invite skepticism (who trusts an artist?) and critical engagement. They incite participation, not passive consumption of facts. In a participatory democracy, strategies that raise the standards of evidence used in public debate and that engage diverse publics are worth attention. And as much as climate change is a phenomenon of the environmental commons—we are all subject to it, layperson or expert—it necessitates, and deserves, a response from the commons.
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At a recent celebration of the International Polar Year in New York, artists and scientists share work inspired by the shifting landscape of Antarctica.
